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Roger Waters – The Pros And Cons Of Hitch Hiking
Media Condition: Near Mint (NM or M-)
Sleeve Condition: Near Mint (NM or M-)
Visually graded disc, looks as if it were new, absolutely no blemishes. Sleeve has no obvious signs of wear. Stored in a heavy-duty plastic outer sleeve and an anti-static inner sleeve. The disc has been thoroughly cleaned using a Spin Clean record washer.
Notes:
©1984 CBS Inc./℗ 1984 CBS Inc.
©1984 Pink Floyd Music Publishers Ltd.
Catalog number FC 39290 is shown on the spine and labels. 39290 is shown on the bottom right-hand corner of the back of the inner sleeve.
Track B4 is rendered as “5.01 AM. (The Pros and Cons of Hitch Hiking Part 10)” on the label and as “5.01 AM (The Pros and Cons of Hitchhiking)” on the inner sleeve.
[Back cover]
Recorded in England at Olympic, Eel Pie & The Billiard Room between Feb & Dec 1983
Mastered by Doug Sax & Mike Reese at the Mastering Lab Los Angeles
Thanks to Dave Christopher & Celestia Fox
This album is dedicated to Carolyne
Eric Clapton and David Sanborn appear courtesy of Warner Bros. Records Inc.
Cover is censored with a black box
Barcode EAN-13 Is an International 13 digit barcode system where first digit(s) is Country of origin. UPC is a 12 digit United States Barcode system
[l447694]
Runouts are etched except for ○ and TML-#, that are stamped.
“○” In the deadwax denotes that the metalworks were provided by Customatrix.
. (Part 1 – 6)
A1. 4.30 AM (Apparently They Were Travelling Abroad)
A2. 4.33 AM (Running Shoes)
A3. 4.37 AM (Arabs With Knives And West German Skies)
A4. 4.39 AM (For The First Time Today, Part 2)
A5. 4.41 AM (Sexual Revolution)
A6. 4.47 AM (The Remains Of Our Love)
. (Part 7 – 12)
B1. 4.50 AM (Go Fishing)
B2. 4.56 AM (For The First Time Today, Part 1)
B3. 4.58 AM (Dunroamin, Duncarin, Dunlivin)
B4. 5.01 AM (The Pros And Cons Of Hitch Hiking, Part 10)
B5. 5.06 AM (Every Strangers Eyes)
B6. 5.11 AM (The Moment Of Clarity)
Rights Society BMI
Barcode 0 7464-39290-1
Barcode 07464392901
Barcode 0074643929011
Pressing Plant ID P
Matrix / Runout AL 39290
Matrix / Runout BL 39290
Matrix / Runout P C PAL392901D 1 TML-X
Matrix / Runout P C PAL39290 1C 1 TML-C
Matrix / Runout P PAL392901A TML-X C
Matrix / Runout P PBL392901A TML-M
Matrix / Runout P o PAL392901A l TML-X D
Matrix / Runout P o PAL39290 1C l TML-C
Matrix / Runout P PAL39290ID TML-X
Matrix / Runout P PBL39290IB TML-M
Matrix / Runout P o PAL392901A 1 TML-X D
Matrix / Runout P o PAL39290 1A 1 TML-X A
Matrix / Runout P o PAL39290 1A I TML-X
Matrix / Runout P o PBL39290 1A I TML-X
Matrix / Runout P o PAL392931K 1 TML-S A
Matrix / Runout P o PBL392901A 1 TML-X A
Recorded At Olympic Studios
Recorded At Eel Pie Studios
Recorded At The Billiard Room
Mastered At The Mastering Lab
Pressed By Columbia Records Pressing Plant, Pitman
Manufactured By Columbia Records
Manufactured By CBS Inc.
Published By Unichappell Music, Inc.
Phonographic Copyright (p) CBS Inc.
Published By Pink Floyd Music Publishers Ltd.
Copyright (c) CBS Inc.
Copyright (c) Pink Floyd Music Publishers Ltd.
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